ALIBRA performances

In 2010 I discovered to ‘sing’ my paintings in a spontaneous invented language, that I call ‘Quaf’.
By doing this, I recreate the containts and energies, that are in the painting, anew and make them acustically available. It has an amazing effect, because it brings the audience to feel, what is in the painting and not only perceive it mentally.
I then completely surrender to the flow of my essence to openly share and express, what is rising into my awareness.
Performing I am completely connected to the audience, to the surrounding and the angelic realms.
The passion and the sparkling joy of life, that I feel, expands and lets people come right in the now- moment, the brain can leave for holidays.
ALIBRA- singing touches the heart and the sozul and has a deeply inspiring and healing effect.

…then by a secret word

the whole wrong being disappears

(Novalis)

 

Roses- and Yoni- paintings since 2000

From 2000-2005 I painted roses in all sizes and colours on large canvases.

I had the intention to create a symbol for the blooming of feminine, the feminine principle. This was corresponding to my own expansion, but also very relevant too, of what society becomes more and more aware of.
After having painted for about half a year these roses, I realized a certain similarity with the female genital, the vagina, sanskrit: YONI.
And so I decided, to walk my path of art consequently and began painting yonis (more information next artcle).
The painting ‘Rosen/Yoni -Mandala’ grasps my intention perfectly :
The white rose symbolises the Goddess, in whom all women, the whole feminine have their roots, being held and safe and receiving their strength from there…
To each yoni belongs a rose, showing her state of blooming.

 

 

Yonis

Yonis in Pastell

Women- Mandala

Photos of the exhibition in the Titusforum Frankfurt 2004

 

2004 Exhibition ‘Roses and Yonis’ in the Titusforum Frankfurt am Main/ Germany

In 2004 I had a big exhibition with my works about yonis and roses in the Titusforum in Frankfurt am Main/ Germany.
It happened on the occasion of the theatrical performance of the ‘Vagina Monologues’ from Eve Ensler by the ‘English- Theater- group/ Frankfurt.
It was remakable, that all, men and women stood in awe and wonder before the works, feeling so much honor for what they saw… witnessing these expressions of such an intimate topic.
I felt a bit nerveous about the parents taking their children out of the painting -school, but the contrary happened: some asked me, if I had place and might take their children or teenagers under my wings…
Below my statement, that I presented before the audiance.

My speech to the exhibition ‘Roses and Yonis’

I created this, because it is very important to me to revive the powers of the earth and to help maintaining them.
The reason why I took the yoni-form is, because it is the very first expression of the divine-female energies.
The word ‘yoni’ sounds mysterious. It originates from the Sanskrit. In many Hindu-temples one can find this symbol, often it is symbolically nourished together with the Shiva- Lingam (penis) with honey and milk, that gets poured over them.
And two, I created this serie, because it seems to me, that we have a lack of humility to sincerely look, where life is coming from.
We are so focussed with our intention on making a good impression, as if our life depends on what people think about us, as if life came from them and proudly we strut like cocks always looking for approval from the outside.
To bend down so deeply to us it feels uncomfortable and embarressing… but – it makes sense!

Because only there, where nothing remains for the show towards the outside, we are who we truely are, without mask, without make-up.
I discovered while painting, that our facial features change with every thought or emotion, but not our genitals.
So we come from the level of explaining everything (mind) into our feeling (heart) and from there we can stand up for a ‘You’, for a vis-á-vis, a being together with each other, a sharing, strongly connected to our roots, through which we receive our nourishment and existence.
In a vision, I heard myself say: ‘I help the vagina to a rebirth, she wants to be seen.’
That surprised me!
When we replace ‘Vagina’ with ‘Mother Earth’, the meaning becomes obvious:
when we touch the ground, when we breath the air in such an open sensual way, everything is penetrated by her presence and we experience to feel so safe with every step we do. She gives us our freedom!
And so is this, what I’m doing today out of gratitude to Mother Earth, that allows me to be, whatever I choose to be here, being embraced by her energies.
There is a person present here, to whom I promised to share the following:
‘I love my vagina.
Why?
Because it soothes me, caresses me,
makes me feel at home and right,
why so far down, why not up in the sky?
Because that’s where our home is…!’

Animals and the Elemets ‘Fire – Earth – Water – Air’ 2003/04

This serie in oil on canvas, pastells on paper has been created from 2003-2004.
The four elementals plus ether are the foundation of our existance on earth.
When considering the artistic representaion of the elements, I realized, that the animals are completely induldged with the specific element, they live in, yes, even the animals make the elements come alive!
And so it occured, that I showed the four elements by painting the animals, that are habitant of those.