In communication with Michelangelo at Sistine Chapel 2009

First, I only knew that Michelangelo sits on his stand, having a little chat with his ​​sweetheart Tommaso Cavalieri in a break .

Everything else developed while painting over about 6 weeks and was very uplifting.

What manifested slowly while composing the elements, was the downward movement refering the suffering, that was put unto Christ by all the manipulations and power- games of the established church- into the conversed moving ascension to a redeemed, powerful lively Yeshua Christ united with Mary Magdalene, personifying the blooming female principle.
Down on the right side You see Michelangelo destroying the own sculpture of his tombstone, showing his accumulated anger generated by the pressure, that was put unto him by the popes etc…and on the left side, someone (maybe me) holding him, when leaving his body for salvation.

The main statement I was passionatly engaged to show is the removement of all the martyr- stuff, which at last culminated in painting Christ without wounds, which was my request and condition, if I’ld agree painting him…)

man sieht hier schon einzelne Gebiete
man sieht hier schon einzelne Gebiete
das Kreuz wird hinweggetragen
das Kreuz wird hinweggetragen
Tommaso Cavalieri
Tommaso Cavalieri
Michelangelo auf seinem Gerüst
Michelangelo auf seinem Gerüst
Michelangelo flirtet mit seinem Liebsten
Michelangelo flirtet mit seinem Liebsten
Papst Julius seinen rechten Arm unterstützend
Papst Julius seinen rechten Arm unterstützend
Michelangelo zerstört seine Grab-Skulptur
Michelangelo zerstört seine Grab-Skulptur
Ein Engel segnet das Heilgeschehen
Ein Engel segnet das Heilgeschehen
Yeshua ohne Wundmale
Yeshua ohne Wundmale